HE IS LEGEND / CROBOT: Austin – Tickets – Come and Take It Live – Austin, TX – May 29th, 2019

HE IS LEGEND / CROBOT: Austin

Come and Take It Productions presents...

HE IS LEGEND / CROBOT: Austin

Black Heart Saints, The Vinous

Wed, May 29, 2019

7:00 pm

Come and Take It Live

Austin, TX

$18-20

He Is Legend
He Is Legend
Belief can be a powerful thing. When shared even among a small group, possibilities remain endless.
That brings us to He Is Legend’s fifth full-length offering, few [Spinefarm Records]. The communal faith belonging to a cadre of musicians, artists, and fans brought the collection to life. That’s why the title, a nod to Madame Helena Blavatsky’s occult treasure The Voice of the Silence, feels so cosmically apropos for the Wilmington, NC quartet—Schuylar Croom [vocals], Adam Tanbouz [lead guitar], Matty Williams [bass], and Denis Desloge [guitar].
“This is dedicated to the people who supported us through everything,” declares Croom. “I was inspired by the words of Helena Blavatsky. She’s basically the godmother of the occult, and she dedicated one of her books to the few. Basically, that means the few that follow the way. I thought it was very fitting for what we do. It took just a few artists and a few thousand of our fans to come through and say, ‘Fuck yeah, we want you to do another record.’ We left it up to them.”
In 2015, He Is Legend wrapped up a marathon tour cycle for 2014’s triumphant Heavy Fruit with the likes of Maylene and the Sons of Disaster and Wilson. As songs like “This Will Never Work” cracked 370K Spotify streams, Heavy Fruit elevated the group to a new plateau with acclaim from Alternative Press, Revolver Magazine, L.A. Music Blog, New Noise, Ultimate Guitar, and many more.
Returning home, the boys allowed their audience to make a decision on what would become album number five…
“We started a crowdfunding campaign on Indiegogo,” Croom goes on. “If we met the goal, we’d do it. If not, we wouldn’t. It was all or nothing. The response was pretty overwhelming. We found new life, energy, and creativity in this as a result.”
With unique incentives like smoking jackets, amulets, and action figures, He Is Legend impressively raised 124% of their goal. During December 2015, the band retreated to a remote cabin in Carrboro, NC just 20 minutes from Warrior Sound: the studio where they cut both Heavy Fruit and It Hates You. The snowy setting and isolation instigated inspiration within Croom.
“The cabin was really pivotal for us,” he says. “There was no cell phone service. The couple that owned it had dogs and cats roaming free. It’s this nice place literally in the middle of nowhere. Rather than turning on the TV at night, we’d be sitting around a fire to stay warm drinking wine. It brought an element of darkness out of me. I was in a strange place, dealing with some personal and family issues. I channeled that as I was stuck in the snow lonely. There was this longing for summer. In my eyes, the cabin had more to do with this music than we would readily admit.”
This time around, the guys produced few with Warrior Sound owner Al Jacobs. They amplified every element of their signature style. Summoning ghosts of White Zombie, Soundgarden, and Nirvana, the riffs hit harder, the lyrics cut deeper, and the rhythms stick longer.
“We tried to go for a minimalist approach,” he goes on. “We wanted to focus on all of the aspects we’ve ever brought to the table. There was a lot of anger and hostility in the music. That mainly came out of us redefining what we used to do really well. Our sound has changed a lot over the years, but that’s important for us to grow. Our fans expect us to morph a little. There’s a little bit of all our previous records in this.”
few takes flight on the hypnotic guitars and haunting harmonies of opener “Air Raid.” It quickly blasts off into a gut-punching slam and powerful chant, “I don’t know why she’s out of breath at the door of death.”
“‘Air Raid’ hits you like the fucking end of the world,” he exclaims. “It’s pretty self-explanatory as far as the lyrics go. It’s about how the earth wants humans to be gone. We’re a fucking cancer. It could shake us off like a dog shakes off flees. It’s as political as I’ve ever gotten.”
“Sand” snaps into a barrage of distortion and percussion before slipping into one of the set’s most unforgettable choruses. “It’s the shortest song,” he continues. “It’s a banger that gets in and gets out. Lyrically, it’s about personal issues in my life I’ve been facing for a while.”
Elsewhere, the psychedelic elegance of “Gold Dust” unlocks another facet of the fours-piece. “That might be my favorite song,” he admits. “There’s always one song that pushes where we are and shows where we could go next—or might not ever go again. I used a lot of imagery from a story that a friend told me. He ate mushrooms and had a spiritual awakening. I wrote from his experience and weaved some of my own into it. It’s about trying to see again what you’ve seen when you’re under the influence.”
Completing the album, He Is Legend found the right partner for release in Spinefarm Records. Now, few are about to become many in 2017.
“I want fans to feel like this album is theirs since they were ultimately responsible for it,” Croom leaves off. “We had to make it perfect for them. It’s important for us to hug them and say thank you as much as possible. We accomplished something great through having a cult following that wanted us to continue. I think it’s important for people to know that and see this came to life because of them.”
Crobot
Crobot
There was a time when rock radio was dominated by great riffs. From Deep Purple’s “Smoke On the Water” and Derek And The Dominoes’ “Layla” to Soundgarden’s “Black Hole Sun” and Rage Against The Machine’s “Killing In The Name Of” it was all about that unmistakable guitar sound that instantly identified a band or song. The members of Crobot have united to bring that back.

Blending funk, blues, metal and good old-fashioned rock and roll into a howling vortex of Yeagley’s vocals and Bishop’s guitar, Crobot have crafted an album of endless good time rock hooks that sound as inspired today as they would have on AOR radio in 1974.

“We grew up with the same riff rock and it’s seemingly lacking in today’s music. We really seem to like the rock of old and felt that was missing,” Yeagley says.

Crobot is a band that can rock at all tempos. Whether it’s the slow-building groove of “Skull Of Geronimo,” a methodical sludge-rocker that calls to mind Soundgarden in the chorus or the more up-tempo funkified “Nowhere To Hide,” a track that sounds like the Black Crowes driving a Camaro, Crobot display stellar musicianship and lyrical depth.

For example, on “Queen Of The Light,” the powerful closing track of Something Supernatural, Yeagley sings the story of a girl yearning for a new life. “She lives the darkest life/but all she wants to be is the queen of the light,” he sings against the plaintive wailing of the slow-moving melody. It’s one of the songs destined to strike a deep chord with fans in the same way the single “Nowhere To Hide” has become a good-time anthem.

“Nowhere To Hide” is one of the songs Yeagley cites as getting his feet wiggling. And he promises that on Something Supernatural there will be plenty more grooves to get fans moving, as those who’ve experienced Crobot live have already seen.

“’Night Of The Sacrifice’ is one that’s coming out off the full length and that always gets me excited to play,” he says. “It’s usually the introduction to the funkier side of what we do in our set, it’s usually the first funky track that we play. So it’s really exciting to switch that mode from more riff based stuff towards to the classic metal sounding stuff with the heavier side of things and to flip flop and see people’s reactions when we totally hit the other end of the spectrum with the funky stuff.”

Musically, “Skull Of Geronimo” is one Yeagley sees as being undeniably representative of Crobot. “That’s a little on the heavier end of the spectrum, but it’s still got that funkiness to it,” he says. And lyrically, “Wizards” might be the Crobot statement song.

“It’s an epic tale of two wizards. One is on the side of wizardry and technology while the other is the side of natural spiritual wizardry and it’s a clash of funkiness and classic metal too in the same sense. So it’s a battle of epic proportions on all sides,” he says. “It’s just a song that fulfills all the ends of the spectrum of what Crobot is.”

Then there is the storytelling ability they show on a song like “La Mano De Lucifer,” a Biblical tale that starts off, “A failed rebellion/against the one creator/exiled to the fire.”

As another side of the band, Yeagley is a devout sci-fi buff. Asked what one film Crobot does the score for, he replies without hesitation, “2001: A Space Odyssey. That movie has its own special place amongst the sci-fi world.” And for contemporary sci-fi he picks Ender’s Game. “I’m such a huge fan of that series and to see that come to life on film was really cool. It’s got battles of epic proportions and everything you love about sci-fi, just nails it,” he says.

A modern rock band with a sense of humor, as well as their own hot sauce, CROBOT has already been making their mark among peers with their wild live performances. But for Crobot, at the end of the day, it is all about the sound.

“All I care about is that people walk away after hearing the album thinking, ‘Man, Crobot is the funkiest, heaviest band I’ve ever heard,’” Bishop says.
Black Heart Saints
Black Heart Saints
High-energy, original rock band from Austin, Texas.

Dangerous & dirty, with a distinct groove steeped in classic rock, yet with a modern edge. Black Heart Saints gives fans exactly what they want – rock god vocals catapulted over explosive, memorable riffs – leaving legions of the rock ‘n’ roll faithful yearning for more.

After debuting at SXSW in 2014, this powerhouse quartet has been building a solid reputation as a support act for national touring bands such as Slash featuring Myles Kennedy & The Conspirators, Sevendust, Pop Evil, Nonpoint, Coheed and Cambria, Filter, POD, The Toadies, and more.
Venue Information:
Come and Take It Live
2015 E Riverside Dr, Bldg 4
Austin, TX, 78741
http://www.comeandtakeitproductions.com/