BLOODLETTING NORTH AMERICA TOUR XII – Tickets – Come and Take It Live – Austin, TX – October 17th, 2018

BLOODLETTING NORTH AMERICA TOUR XII

Come and Take It Productions presents...

BLOODLETTING NORTH AMERICA TOUR XII

Decrepit Birth, Arsis, Internal Bleeding, Pyrexia, AngelMaker, Within Destruction, Whore of Bethlehem

Wed, October 17, 2018

6:00 pm

Come and Take It Live

Austin, TX

$18.00 - $20.00

This event is all ages

** This event is ALL AGES, however, anyone under the age of 21 will be charged an additional 'minor surcharge' at the door. **

Decrepit Birth
Decrepit Birth
Decrepit Birth was formed in 2001 by Matt Sotelo - guitars, Bill Robinson - vocals, and Derek Boyer – bass. Originally the intention was to play devastating, brutal, technical death metal, mixed with influences from the early 1990's Florida death metal scene. Since Matt and Derek had at one time both played in Southern California band, DEPRECATED, it was easy for the two of them to begin collaborating on material for the first full length Decrepit Birth album "…And Time Begins".

In Fall of 2002, with the help of friend Tim Yeung on session drums, they entered Legion Studios to begin recording. Almost a year later "…And Time Begins" was released on Unique Leader Records, artwork by Dan Seagrave. The album had production issues but still managed to forge a very solid fan base in the death metal scene. The band went through a dry period of playing no shows due to the lack of a drummer. Bassist Derek Boyer got the chance of a lifetime and was offered a full time position with death metal legends SUFFOCATION. That left Decrepit Birth with out a drummer or bassist.

During 2004, bassist Risha Eryavec stepped in and not long after that, drummer KC Howard of ODIOUS MORTEM officially joined the band as well. For the next couple years the new lineup played many shows, fests and one North American tour. In 2007 the band took a break and began writing full time for the new album. They went through some lineup changes and also dealt with personal issues related to a past member. This conflicted the band, and brought about a spiritual overhaul. The result was a change in direction and sound. The new music was becoming influenced by melodic and progressive compositions. The sound was more mature and catchy, while still maintaining the brutality Decrepit Birth is known for.

In Spring of 2007 Decrepit Birth entered Castle Ultimate Studios with engineer Zack Ohren to begin recording for the sophomore album. In January 2008 the highly anticipated album "Diminishing Between Worlds" was released again through Unique Leader Records. During that same month of January, Decrepit Birth embarked upon their biggest tour yet, opening for THE BLACK DAHLIA MURDER, THREE INCHES OF BLOOD, and HATE ETERNAL. With the addition of a second guitarist, Dan Eggers and bassist, Joel Horner(both of ODIOUS MORTEM) to replace Risha so he could focus on his family and job, the brand new line up played night after night of sold out shows through out the United States. Now with a new album freshly released, Decrepit Birth was able to catch the attention of Nuclear Blast Records, which was a label the band really wanted to work with for years. After negotiations, they happily signed on with Nuclear Blast in Spring of 2008. The band is currently touring in support of the new album and is also writing new music, which can only be described as an "evolved version of what we did on Diminishing Between Worlds".
Arsis
Arsis
When it comes to seminal death metal bands from North America, the East Coast alone boasts the likes of the genre's greatest staples: Death, Cynic, Morbid Angel, Immolation, and Nile. Perhaps in response to Virginia's political conservativism and the state's legacy of the Baptist religion (in addition to being known as "Mother of Presidents" because it is the birthplace of eight former U.S. presidents), it's no surprise that band founder/songwriter/guitarist/lead vocalist James Malone adopted a mantra of courageous insurgence and very early on in his life – especially in the musical realm. ARSIS, which derived its name from the musical term "arsis and thesis" meaning unstressed (up-) and stressed (down-) beats respectively, makes music that is righteously tinged with black & thrash metal influences, but is completely dedicated to expanding the reaches of melodicism and technicality in the genre of death metal.

Brought together through a mutual respect for King Diamond and formed during Christmas vacation in Boston in 2000 by Berklee College of Music students James Malone (an already skilled violinist and a composition major) and double-bass connoisseur Mike Van Dyne (a drum performance major and rumored octopus), the duo recorded a 3-song demo in 2001 and a 5-song demo in 2002 simply to amuse themselves over winter break.

Thanks to the favorable feedback they received, ARSIS became a live and full-time endeavor. After only one month of being an "official" band, and with only five live shows to their credit (utilizing session musicians for second guitar and bass), Malone and Van Dyne signed a deal with Willowtip Records to release their 2004 debut, A Celebration Of Guilt, and began exploring life on the road soon after. Much to the band's surprise, A Celebration Of Guilt seized the spotlight by clinching one of the ultimate honors possible for a brand-new technical, melodic death metal band: being praised by Revolver Magazine for creating "the best [album] in the genre since At The Gates' legendary swan song [Slaughter Of The Soul]." Thus, these relatively unknown musicians were suddenly awarded the status of saviors to a waning genre. With a firm reputation to upkeep, an inspired EP followed in 2005. A Diamond For Disease featured a 13-minute title track that took four months to write, and was hailed as "a multi-movement death metal masterwork" by Decibel Magazine. The song was commissioned for exclusive use by the New York-based Ballet Deviare.

That year, as ARSIS continued to tour, they employed various live session musicians and continued to accumulate many avid supporters among the metal underground, the metal press, and amongst metal musicians themselves. Entering Max Trax Studios in Albany, New York and teaming up with producer Eyal Levi in 2006 to record their sophomore full-length album United In Regret, ARSIS placed a higher emphasis on technical complexity and on song structure, earning them kudos from New York's Village Voice for being "American death metal at its best." Throughout 2006, ARSIS toured the U.S. extensively with Necrophagist, Neuraxis, Alarum, Dead to Fall, Misery Signals, The Faceless, All Shall Perish, Napalm Death, and A Life Once Lost.

After securing a new record deal with Nuclear Blast Records, Van Dyne left the band to pursue studies in medical imaging. Not one to risk losing momentum and to ensure the best possible performers for the band's new label debut, Malone recruited ex-Burn In Silence drummer Darren Cesca, second guitarist Ryan Knight, and bassist Noah Martin (who did session work on United In Regret). The band toured relentlessly throughout North America with Enslaved, with God Forbid, Goatwhore, Mnemic & Byzantine on the Chains Of Humanity Tour, and with Necrophagist, Decapitated & Cephalic Carnage on the Summer Slaughter Tour.

With a solidified line-up that would put conservatory valedictorians to shame in the name of metal, Malone set out to hone the musical mission he entrusted himself with since Day One. Produced by Zeuss (Agnostic Front, Hatebreed, Municipal Waste) at Planet-Z Studios in Massachusetts, mastered by Alan Douches (Kataklysm, Unearth, Shadows Fall), and featuring the grotesque and meticulous artwork of Mark Riddick (a relationship that stems back to the band's first album), 2008's We Are The Nightmare further expands the band's repertoire and proudly showcases why ARSIS are well on their way to making their discography absolutely essential for any fan with an extreme music library.

So, while 2008 marked the release of the ARSIS Nuclear Blast debut, it also marked the departure of Darren Cesca, Ryan Knight and Noah Martin for various reasons, leaving only James Malone to rebuild ARSIS as well as his personal life. Enter Nicholas Cordle, a long-time aqquaintance on Malone's who was originally hired to replace Noah Martin on bass duties for a tour. Cordle, a graduate of the University of Virginia and guitar prodigy, did wonders to help motivate James Malone continue with ARSIS. When Ryan Knight left ARSIS to join The Black Dahlia Murder, Cordle switched from playing bass in ARSIS to playing guitar, and began working with James on the material that would become Starve For The Devil. A few months later, original drummer Mike Van Dyne agreed to re-join the band, and ARSIS was almost complete again.

In August 2009, just prior to entering Planet-Z studios once again, a long time friend of Cordle's was asked to audition for the vacant bass position. The bassist's name is Nathaniel Carter, and he impressed the band and producer Zeuss so much that he has now become a permanent member of ARSIS. With a new found motivation, ARSIS set out to further spread the message of metal. 2010 saw the release of Starve For The Devil, supported by relentless touring throughout North America and Europe.
Internal Bleeding
Internal Bleeding
The New York-based INTERNAL BLEEDING have been slugging it out in the underground since 1991. One of the pioneers of the New York death metal sound along with Suffocation and Pyrexia, they helped create the standard by which we judge all things heavy. Onward To Mecca, their new album, cements that legacy.

After the breakup of his original band Autumn Reign, guitarist Chris Pervelis went on to found the first INTERNAL BLEEDING lineup in early 1991.Thatwinter, a case of 300 blank tapes were "found" at a local university and provided the inspiration to set up a 4-track recorder and record the One DollarDemo. Shortly after that recording, INTERNAL BLEEDING started playing shows and managed to sell out of all of their tapes. In the winter of 1992, INTERNAL BLEEDING released their now classic Invocation of Evil demo, which went on to sell an impressive 5,000 copies through the now defunct WildRags Records. Soon, pressure started to come from Wild Rags, fans, and the band themselves, and INTERNAL BLEEDING returned to the studio torecord another demo in early 1994. The result of all that pressure was what is considered today to be a masterpiece of underground music: Perpetual Degradation. The band immediately hit the road with a vengeance, promoting themselves and their music shamelessly.

All that self-promotion and tireless dedication was to bear fruit at that year's Milwaukee Metalfest, where the band's captivating performance caught the eyes and ears of Pavement Music. They signed with Pavement and in 1995 released their debut album, Voracious Contempt. INTERNAL BLEEDING hit the road once again, this time around with world-renowned acts Immolation and Six Feet Under. Album sales were impressive, and the group kept busy throughout 1995 and 1996. By the time 1997 rolled around, constant touring and hard work had taken its toll on the band, while financial troubles plagued Pavement Music. It was during this time that the group's second album, The Extinction of Benevolence, was released. No tour followed, and INTERNAL BLEEDING fell into a rut of inactivity. In late 1998, they regrouped, refocused and began writing music that pushed their talents to the limit. Pavement Music picked up their finances, and 1999 saw the band in the studio recording Driven to Conquer with ace producer Brian Griffin.

The band decided to part ways with Pavement Music in 2000 due to lack of support and soon struck a deal with Olympic Recordings. A compilation of their early demos titled Alien Breed soon followed. The disc also included one brand new track that hinted at the future. Now featuring a revamped line-up, the group finally returns with the long-awaited follow-up to Driven To Conquer and expands on their already potent sound. Onward To Mecca sees the band finding even more groove and brutality than showcased on their previous efforts. Indeed, INTERNAL BLEEDING has created an album that is sure to transcend both the death and hardcore genres.

Originally slated for a late fall 2001 release and originally titled Hatefuel, Onward To Mecca was long hindered by contractual red tape. During Century Media's gradual acquisition of Olympic Recordings, the label struggled to release albums in a timely manner. Never content to just sit around and wait, Jerry Lowe (vocals), Frank Buffalino (guitar) and Matt Ferrara (guitar) found the time to form the NY-styled hardcore band PUNCHYOURFACE. It was beginning to be obvious that the next INTERNAL BLEEDING release would see more of a hardcore influence as the band prepared to re-enter the studio. Now, the delay has proven well worth the wait, and it isn't hard to hear why when listening to this album of state-of-the-art New York deathcore.

Armed with nothing more than an abundance of musical talent and a deep commitment to their musical ideals, INTERNAL BLEEDING has survived member changes, lawsuits, letdowns and heartaches. But unlike some of their peers, the band has never called it quits. Although only two original members remain, the band's unique vision of mixing the extremity of death metal with the groove and rhythm found in other forms of music (hardcore, traditional metal, funk, etc.) is still intact. Onward To Mecca--recorded at Full Force Studios (Suffocation, Catastrophic) in the spring of 2004--is sure to please fans of everything from Suffocation and Dying Fetus to newer deathcore bands like Glass Casket and Between The Buried And Me.
Pyrexia
Pyrexia
PYREXIA is currently in the studio recording their latest material for the 2013 release , "Feast of Iniquity" on Unique Leader Records. An epic production unlike anything heard in the genre , PYREXIA embraces a path of constant attack and unforgiving song structure. With the addition of Doug Bohn (Suffocation/"Pierced from within") performing on Drums along side Dave "War Machine" Culross (Suffocation,Malevolant Creation) , Unique Leader has got an Atomic Weapon and the makings of a classic in its 2012 roster.
AngelMaker
AngelMaker
"This North Vancouver 6-piece has managed to create one of the heavier and most fearsome Deathcore records we've heard in some time. In some ways, it breathes new life into the genre with some truly excellent moments and genre bending.
It's easy to recommend this album to all fans of the Deathcore genre and even just extreme music in general."
- The Circle Pit

AngelMaker is a 6 piece (Melodic/Deathcore) band based out of North Vancouver, BC, Canada.

All being friends from high school with the common goal of playing heavy music, we formed in 2011 released an early single and shortly after released our Debut EP 'Decay' in September of 2012.

After the largely positive response from 'Decay' we teamed up with Total Deathcore and released a split EP with Isolations and Lament in May 2013.
We released our first ever music video in October of 2014 with True Grit Promotions.

We then took some time to take everything we had learned from our previous releases and put forth our best product to date with our brand new full length album entitled "DISSENTIENT" which was released February 2015.
Within Destruction
Within Destruction
Death Metal band from Slovenia Jesenice.
Venue Information:
Come and Take It Live
2015 E Riverside Dr, Bldg 4
Austin, TX, 78741
http://www.comeandtakeitproductions.com/